{"title":"Limited editions","description":"\u003cp\u003ePieces born of research into form, material and meaning, made in small numbered runs. Each one is signed with a branding iron and comes with a certificate of authenticity. Price on request.\u003c\/p\u003e","products":[{"product_id":"teri","title":"Teri","description":"\u003cp\u003eTeri, “the friend” in Bambara, is a coffee table with an organic, asymmetric form. Its curves take in four satellite stools and bring the people around it closer together.\u003c\/p\u003e\n\u003cp\u003eIt is made in Amazakoué, a local hardwood still rarely used in contemporary design, and lets the grain and density of the wood carry its presence.\u003c\/p\u003e","brand":"Paul Ledron","offers":[{"title":"Default Title","offer_id":46629478498467,"sku":null,"price":1700000.0,"currency_code":"XOF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/0571\/1011\/files\/Teri-hero.jpg?v=1772108547"},{"product_id":"sama","title":"Sama","description":"\u003cp\u003eSama began with a formal challenge: a powerful armchair using the circle as its only language. The result is architectural and imposing, and it pulls the eye in like a black hole. The black paint is deliberate: it hides the grain so that only the geometry reads.\u003c\/p\u003e\n\u003cp\u003eMaking it was technically demanding. Joining circular volumes creates curves and compound angles that standard joinery is not built for, and it took several rounds of prototypes before the studio found a workable way to make it.\u003c\/p\u003e\n\u003cp\u003eSama belongs to a wider study of the circle, which Sabanan continues. Its name means “elephant” in Bambara: a nod to the tusk, which curves too.\u003c\/p\u003e","brand":"Paul Ledron","offers":[{"title":"Default Title","offer_id":46630334857379,"sku":null,"price":2000000.0,"currency_code":"XOF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/0571\/1011\/files\/Sama_Isolated2.jpg?v=1772635254"},{"product_id":"otto","title":"Otto","description":"\u003cp\u003eOtto, a Yundé wood cabinet, puts cane-work forward as both structure and craft. A circle split across its two doors becomes a woven surface, a breathing space in the wood. The hand-woven rattan gives the piece its visual frame and reflects the studio's interest in West African basketry, its materials and its techniques.\u003c\/p\u003e","brand":"Paul Ledron","offers":[{"title":"Default Title","offer_id":46630356680867,"sku":null,"price":2200000.0,"currency_code":"XOF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/0571\/1011\/files\/Otto_1to1.jpg?v=1765391517"},{"product_id":"fiyen","title":"Fiyen","description":"\u003cp\u003eFiyen, “the wind” in Bambara, treats cane-work as both filter and material. The weave lets air and light through while it divides the room, so the screen is neither a solid wall nor mere decoration: it is a threshold you can see and breathe through. Like Otto, Fiyen draws on West African rattan craft.\u003c\/p\u003e","brand":"Paul Ledron","offers":[{"title":"Default Title","offer_id":46630402916515,"sku":null,"price":2000000.0,"currency_code":"XOF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/0571\/1011\/files\/fiyen_1to1.jpg?v=1765391599"},{"product_id":"sabanan","title":"Sabanan","description":"\u003cp\u003eSabanan, “the third” in Bambara, continues the study begun with Sama: a piece built entirely on the circle.\u003c\/p\u003e\n\u003cp\u003eThree round tops make up the console. The middle one sits slightly higher, and that small offset sets the whole line in motion. Black paint unifies the piece and sharpens its graphic quality, so each circle reads as part of a strict composition.\u003c\/p\u003e","brand":"Paul Ledron","offers":[{"title":"Default Title","offer_id":46630957580451,"sku":null,"price":1200000.0,"currency_code":"XOF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/0571\/1011\/files\/Sabanan_isolated.jpg?v=1765407242"}],"url":"https:\/\/paulledron.com\/en\/collections\/editions-limitees.oembed","provider":"Paul Ledron","version":"1.0","type":"link"}